CZ EN
   
Ústav dějin umění Akademie věd ČR, v. v. i.

Institutionalization of Modern Music Culture in the 19th-Century Civil Croatia and Military Frontier

We cordially invite you to the lecture from the cycle Dialogo della musica, which will be given by Stanislav Tuksar (Zagreb) on the topic of Institutionalization of Modern Music Culture in the 19th-Century Civil Croatia and Military Frontier.

The lecture will take place on Tuesday, November 18, 2025 at 5 pm in the Musicological library IAH, Puškinovo nám. 9, Prague 6.

Recent field research in Croatian historical musicology has identified, documented, classified and basically analysed various kinds of music institutions (Musikvereins, singing and mixed societies, instrumental ensembles, music theatres), established in Civil Croatia and its adjacent Military Frontier during the long 19th century. This research has shown that in the period under consideration the emergence and spread of music institutions assumed almost spectacular dimensions: their number grew in less than a century from only seven in 1819 to almost 300 in the year 1914. Also, the number of towns, townships and settlements with organized music institutions grew from five in 1819 to 102 in 1914. Various models of private and public initiatives, as well as their transformation into social and/or state institutions, have been established as fundaments of modern bourgeois culture both in music and in society at large. A special case study will be presented of the town of Osijek, the capital of Slavonia, with its 39 music institutions identified so far.

Stanislav Tuksar is Professor emeritus of the University of Zagreb, where he taught historical musicology and aesthetics of music from 1979 until 2020. He had also lectured at 25 academic institutions and participated at more than 160 scholarly meetings, both worldwide. He holds degrees in Philosophy, English and cello, and MA and PhD in musicology. He has published as author, translator and editor 30 books and more than 270 articles, and he is since 2000 Editor-in-Chief of the International Review of the Aesthetics and Sociology of Music. Since 2012 he has been fellow of the Croatian Academy of Sciences and Arts.    

We use cookies on our website to give you the most relevant experience by remembering your preferences and repeat visits. By clicking “Accept”, you consent to the use of ALL the cookies. However you may visit Cookie Settings to provide a controlled consent.
Settings Accept
You can refuse consent here.
×
Cookie settings

This website uses cookies to improve your experience while you navigate through the website. Out of these cookies, the cookies that are categorised as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyse and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may have an effect on your browsing experience.

Necessary

Necessary cookies are absolutely essential for the website to function properly. These cookies ensure basic functionalities and security features of the website, anonymously.

Analytics

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics the number of visitors, bounce rate, traffic source, etc.

Performance

Performance cookies are used to understand and analyse the key performance indexes of the website which helps in delivering a better user experience for the visitors.

Advertisement

Advertisement cookies are used to provide visitors with relevant ads and marketing campaigns. These cookies track visitors across websites and collect information to provide customised ads.